3,615 Royalty-Free Audio Tracks for "C Sharp Major"

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Persian scale on C.

In the shade of the palm from Leslie Stuart and Owen Hall's Florodora. Sung by Frank C. Stanley in 1902. This is Edison Gold Moulded Record #8066. Other titles for this song include: In the shade of the sheltering palm Shade of palms There is a garden fair Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit, with "In the shade of the sheltering palm" also quite popular.

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Major second on D.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Aeolian mode on C. No pitch bend.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

C harmonic minor scale ascending and descending.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

Ninth augmented fifth chord on C.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Rule of the octave, major scale.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

F major scale played on western concert flute F-durskala spillet på tværfløjte

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

D chord in all fourths tuning.

Bad guy/"Villian" motif/riff.

Neapolitan minor scale on C - as MIDI

Schubert Quartett-Satz in C minor, opening bars

Recorded and performed instrumentally by the U.S. Navy Band and featured on the 2006 album World Class Marches.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

Recording of a symphonic brass chime, note c#.

This frequency is 136. 1 hz, or a c# if a=432hz. C# is often considered the "om tone", as there is some evidence that tibetan buddhist monks and others base their chants on this note. More info here: http://sonicfabric. Blogspot. Com/2012/01/432-hz-pythagoras-and-om-1361-edition. Html.

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals